跪求“THE LADY OR THE TIGER”的litre paragraph。,doorsrooms攻略110

本文目录一览

• 1、密室逃脱doorsrooms3 第八关怎么玩不了
• 2、密室逃脱doorsrooms2第四章 4关怎么过啊
• 3、密室逃脱doorsrooms2攻略第二章第16关怎么过
• 4、跪求“THE LADY OR THE TIGER”的litre paragraph。
• 5、密室逃脱doorsrooms3第二章第七关怎么进入

密室逃脱doorsrooms3 第八关怎么玩不了

1、进入第八关，首先拿走花盆里的面粉以及保险柜上的钥匙。

2、监控屏幕前的桌子上有一卷胶带。

3、点进去撕下一小段。

4、抽屉中有一把化妆用的小粉刷。

5、把刷子和面粉组合起来。

6、刷到被子上的指纹位置。

7、然后使用之前撕下来的胶带粘上去，获得一枚指纹。

8、门旁有一个指纹扫描仪。

9、把粘有指纹的胶带放上去，就可以开门了。

10、进到一间布满红外射线的房间，在角落的垃圾桶里发现一张纸。

11、从房间里出来，注意到墙上挂着的四幅画。

12、打开画可以看到线索，上面告诉了你四幅画的正确摆放角度。

13、按线索调整四幅画的位置。

14、然后再回到这个房间，出现了一瓶蓝色灭火器。

15、使用灭火器为把手降温，然后拉动把手解除红外线。

16、用之前获得的钥匙打开A柜，获得一把电铳。

17、本房间目前暂时没有线索，将注意力转移到旁边的门上，门旁有一个小装置。

18、点开装置，我们又要开始动脑了，这是一个益智小游戏。每个箭头都会控制两个红色区域的变化，我们的最终目的是让所有红色区域处于同一直线，这里每个人的方法不同，波比就不把过程罗列出来了。如果小伙伴们有问题，欢迎在攻略下方的评论区域给我留言哦。

19、解开小游戏后进入另一个房间，在左边位置打开柜子获得一个螺旋钻头。

20、另一边的柜子可以获得一把钥匙B。

21、用钥匙B打开B柜，获得一个圆锯。

22、然后把AB两把钥匙合并起来。

23、打开AB柜，获得一个把手。

24、接下来先组合圆锯和电铳。

25、然后锯开这个保险柜，我们可以得到一个开保险柜的专业仪器（实在不知道叫什么）。

26、进入房间后先装上把手，拉动后解除红外线。

27、把圆锯拆下来，装上钻头。

28、点击图中所示区域进入面板。

29、在按钮旁边用钻头钻开一个小洞，把专业仪器放进去，然后按动四个按钮，分别把四个齿轮的缺口都对准12点方向，按下右边圆形按钮就可解开这个保险门。

30、钥匙静静躺在钱堆里，我们就只拿走钥匙好了。

31、出来后用钥匙开门离开。第一章STAGE8至此攻略完成。
http://news.4399.com/gonglue/doors3/guanka/1/m/541295.html

密室逃脱doorsrooms2第四章 4关怎么过啊

首先拿梯子然后放在左边棚子那块，拿上面一块铁的东西。然后把地摊掀起来，用拿到的铁的东西撬开中间十字形的石块，拿到刀子跟一个字母布条，拆开来。右边拿那个绿色的草，挺明显的，用刀子跟它合成一个竹笛子。然后把地毯放回去，点到那个蛇那里，用笛子按照地毯顺序324214吹奏，拿走出现的四角星。右边第三个红石墩上拿毯子，扔到最右侧水里弄湿，然后把湿毯子扔到火上，灭了后拿走棍子。把四角星放在门上出来另一个界面，刚拿的棍子先扔上去，然后把和刀子一起拿到分离的那个带字母的带子分别放在两个没有字母的棍子上。看最左边铁门，底下有插销一类的点下开门，狮子嘴里有个星星?！然后按照那个门下面数两个门重叠出现的图形数量，正方形4个六边形2个圆3个三角形8个，再对照从上到下每根棍子横着顺序找字母从左到右分别是mane。最后的星星?，数一下点多少下对应哪个数字，弟14下是y，以此类推e是5，i是6，o是10，谜底是56。星星拿走过关~

密室逃脱doorsrooms2攻略第二章第16关怎么过

如图在左侧找到小刀、面包、空瓶子等物品
密室逃脱：DoorsRooms2三星攻略：[41]二章16
2
捡到水池旁边的牙刷和纸
密室逃脱：DoorsRooms2三星攻略：[41]二章16
3
用空水瓶在水龙头接一瓶水
密室逃脱：DoorsRooms2三星攻略：[41]二章16
4
打开马桶盖，将水倒进去，里面有一个星星，然后再装一瓶水
密室逃脱：DoorsRooms2三星攻略：[41]二章16
密室逃脱：DoorsRooms2三星攻略：[41]二章16
5
将面包分解成两半，里面有一个钥匙的形状
密室逃脱：DoorsRooms2三星攻略：[41]二章16
6
将纸和笔结合，获得黑纸
密室逃脱：DoorsRooms2三星攻略：[41]二章16
7
将小刀和牙刷结合，获得牙刷柄
密室逃脱：DoorsRooms2三星攻略：[41]二章16
8
再将牙刷柄和勺子结合
密室逃脱：DoorsRooms2三星攻略：[41]二章16
9
将装满水的瓶子放在铁架旁边
密室逃脱：DoorsRooms2三星攻略：[41]二章16
10
放上黑纸，就会点燃
密室逃脱：DoorsRooms2三星攻略：[41]二章16
11
然后将装着牙刷柄的勺子放在铁架上
密室逃脱：DoorsRooms2三星攻略：[41]二章16
12
将溶化后的牙刷柄和面包结合，获得钥匙
密室逃脱：DoorsRooms2三星攻略：[41]二章16
13
然后再进行分解
密室逃脱：DoorsRooms2三星攻略：[41]二章16
14
quiz从图上可以知道/代表一半， 叉号代表0，O代表2倍，在日历上找到对应的位置进行运算就可以得到结果：113201314
密室逃脱：DoorsRooms2三星攻略：[41]二章16
15
然后就可以拿钥匙开门

跪求“THE LADY OR THE TIGER”的litre paragraph。

The Lady Or The Tiger?

In the very olden time there lived a semi-barbaric king, whose ideas, though somewhat polished and sharpened by the progressiveness of distant Latin neighbors, were still large, florid, and untrammeled, as became the half of him which was barbaric. He was a man of exuberant fancy, and, withal, of an authority so irresistible that, at his will, he turned his varied fancies into facts. He was greatly given to self-communing, and, when he and himself agreed upon anything, the thing was done. When every member of his domestic and political systems moved smoothly in its appointed course, his nature was bland and genial; but, whenever there was a little hitch, and some of his orbs got out of their orbits, he was blander and more genial still, for nothing pleased him so much as to make the crooked straight and crush down uneven places.
Among the borrowed notions by which his barbarism had become semified was that of the public arena, in which, by exhibitions of manly and beastly valor, the minds of his subjects were refined and cultured.
But even here the exuberant and barbaric fancy asserted itself. The arena of the king was built, not to give the people an opportunity of hearing the rhapsodies of dying gladiators, nor to enable them to view the inevitable conclusion of a conflict between religious opinions and hungry jaws, but for purposes far better adapted to widen and develop the mental energies of the people. This vast amphitheater, with its encircling galleries, its mysterious vaults, and its unseen passages, was an agent of poetic justice, in which crime was punished, or virtue rewarded, by the decrees of an impartial and incorruptible chance.
When a subject was accused of a crime of sufficient importance to interest the king, public notice was given that on an appointed day the fate of the accused person would be decided in the king's arena, a structure which well deserved its name, for, although its form and plan were borrowed from afar, its purpose emanated solely from the brain of this man, who, every barleycorn a king, knew no tradition to which he owed more allegiance than pleased his fancy, and who ingrafted on every adopted form of human thought and action the rich growth of his barbaric idealism.
When all the people had assembled in the galleries, and the king, surrounded by his court, sat high up on his throne of royal state on one side of the arena, he gave a signal, a door beneath him opened, and the accused subject stepped out into the amphitheater. Directly opposite him, on the other side of the enclosed space, were two doors, exactly alike and side by side. It was the duty and the privilege of the person on trial to walk directly to these doors and open one of them. He could open either door he pleased; he was subject to no guidance or influence but that of the aforementioned impartial and incorruptible chance. If he opened the one, there came out of it a hungry tiger, the fiercest and most cruel that could be procured, which immediately sprang upon him and tore him to pieces as a punishment for his guilt. The moment that the case of the criminal was thus decided, doleful iron bells were clanged, great wails went up from the hired mourners posted on the outer rim of the arena, and the vast audience, with bowed heads and downcast hearts, wended slowly their homeward way, mourning greatly that one so young and fair, or so old and respected, should have merited so dire a fate.

2

But, if the accused person opened the other door, there came forth from it a lady, the most suitable to his years and station that his majesty could select among his fair subjects, and to this lady he was immediately married, as a reward of his innocence. It mattered not that he might already possess a wife and family, or that his affections might be engaged upon an object of his own selection; the king allowed no such subordinate arrangements to interfere with his great scheme of retribution and reward. The exercises, as in the other instance, took place immediately, and in the arena. Another door opened beneath the king, and a priest, followed by a band of choristers, and dancing maidens blowing joyous airs on golden horns and treading an epithalamic measure, advanced to where the pair stood, side by side, and the wedding was promptly and cheerily solemnized. Then the gay brass bells rang forth their merry peals, the people shouted glad hurrahs, and the innocent man, preceded by children strewing flowers on his path, led his bride to his home.
This was the king's semi-barbaric method of administering justice. Its perfect fairness is obvious. The criminal could not know out of which door would come the lady; he opened either he pleased, without having the slightest idea whether, in the next instant, he was to be devoured or married. On some occasions the tiger came out of one door, and on some out of the other. The decisions of this tribunal were not only fair, they were positively determinate: the accused person was instantly punished if he found himself guilty, and, if innocent, he was rewarded on the spot, whether he liked it or not. There was no escape from the judgments of the king's arena.
The institution was a very popular one. When the people gathered together on one of the great trial days, they never knew whether they were to witness a bloody slaughter or a hilarious wedding. This element of uncertainty lent an interest to the occasion which it could not otherwise have attained. Thus, the masses were entertained and pleased, and the thinking part of the community could bring no charge of unfairness against this plan, for did not the accused person have the whole matter in his own hands?

3

This semi-barbaric king had a daughter as blooming as his most florid fancies, and with a soul as fervent and imperious as his own. As is usual in such cases, she was the apple of his eye, and was loved by him above all humanity. Among his courtiers was a young man of that fineness of blood and lowness of station common to the conventional heroes of romance who love royal maidens. This royal maiden was well satisfied with her lover, for he was handsome and brave to a degree unsurpassed in all this kingdom, and she loved him with an ardor that had enough of barbarism in it to make it exceedingly warm and strong. This love affair moved on happily for many months, until one day the king happened to discover its existence. He did not hesitate nor waver in regard to his duty in the premises. The youth was immediately cast into prison, and a day was appointed for his trial in the king's arena. This, of course, was an especially important occasion, and his majesty, as well as all the people, was greatly interested in the workings and development of this trial. Never before had such a case occurred; never before had a subject dared to love the daughter of the king. In after years such things became commonplace enough, but then they were in no slight degree novel and startling.
The tiger-cages of the kingdom were searched for the most savage and relentless beasts, from which the fiercest monster might be selected for the arena; and the ranks of maiden youth and beauty throughout the land were carefully surveyed by competent judges in order that the young man might have a fitting bride in case fate did not determine for him a different destiny. Of course, everybody knew that the deed with which the accused was charged had been done. He had loved the princess, and neither he, she, nor any one else, thought of denying the fact; but the king would not think of allowing any fact of this kind to interfere with the workings of the tribunal, in which he took such great delight and satisfaction. No matter how the affair turned out, the youth would be disposed of, and the king would take an aesthetic pleasure in watching the course of events, which would determine whether or not the young man had done wrong in allowing himself to love the princess.

4

The appointed day arrived. From far and near the people gathered, and thronged the great galleries of the arena, and crowds, unable to gain admittance, massed themselves against its outside walls. The king and his court were in their places, opposite the twin doors, those fateful portals, so terrible in their similarity.
All was ready. The signal was given. A door beneath the royal party opened, and the lover of the princess walked into the arena. Tall, beautiful, fair, his appearance was greeted with a low hum of admiration and anxiety. Half the audience had not known so grand a youth had lived among them. No wonder the princess loved him! What a terrible thing for him to be there!
As the youth advanced into the arena he turned, as the custom was, to bow to the king, but he did not think at all of that royal personage. His eyes were fixed upon the princess, who sat to the right of her father. Had it not been for the moiety of barbarism in her nature it is probable that lady would not have been there, but her intense and fervid soul would not allow her to be absent on an occasion in which she was so terribly interested. From the moment that the decree had gone forth that her lover should decide his fate in the king's arena, she had thought of nothing, night or day, but this great event and the various subjects connected with it. Possessed of more power, influence, and force of character than any one who had ever before been interested in such a case, she had done what no other person had done - she had possessed herself of the secret of the doors. She knew in which of the two rooms, that lay behind those doors, stood the cage of the tiger, with its open front, and in which waited the lady. Through these thick doors, heavily curtained with skins on the inside, it was impossible that any noise or suggestion should come from within to the person who should approach to raise the latch of one of them. But gold, and the power of a woman's will, had brought the secret to the princess.
And not only did she know in which room stood the lady ready to emerge, all blushing and radiant, should her door be opened, but she knew who the lady was. It was one of the fairest and loveliest of the damsels of the court who had been selected as the reward of the accused youth, should he be proved innocent of the crime of aspiring to one so far above him; and the princess hated her. Often had she seen, or imagined that she had seen, this fair creature throwing glances of admiration upon the person of her lover, and sometimes she thought these glances were perceived, and even returned. Now and then she had seen them talking together; it was but for a moment or two, but much can be said in a brief space; it may have been on most unimportant topics, but how could she know that? The girl was lovely, but she had dared to raise her eyes to the loved one of the princess; and, with all the intensity of the savage blood transmitted to her through long lines of wholly barbaric ancestors, she hated the woman who blushed and trembled behind that silent door.

5

When her lover turned and looked at her, and his eye met hers as she sat there, paler and whiter than any one in the vast ocean of anxious faces about her, he saw, by that power of quick perception which is given to those whose souls are one, that she knew behind which door crouched the tiger, and behind which stood the lady. He had expected her to know it. He understood her nature, and his soul was assured that she would never rest until she had made plain to herself this thing, hidden to all other lookers-on, even to the king. The only hope for the youth in which there was any element of certainty was based upon the success of the princess in discovering this mystery; and the moment he looked upon her, he saw she had succeeded, as in his soul he knew she would succeed.
Then it was that his quick and anxious glance asked the question: "Which?" It was as plain to her as if he shouted it from where he stood. There was not an instant to be lost. The question was asked in a flash; it must be answered in another.
Her right arm lay on the cushioned parapet before her. She raised her hand, and made a slight, quick movement toward the right. No one but her lover saw her. Every eye but his was fixed on the man in the arena.
He turned, and with a firm and rapid step he walked across the empty space. Every heart stopped beating, every breath was held, every eye was fixed immovably upon that man. Without the slightest hesitation, he went to the door on the right, and opened it.
Now, the point of the story is this: Did the tiger come out of that door, or did the lady ?
The more we reflect upon this question, the harder it is to answer. It involves a study of the human heart which leads us through devious mazes of passion, out of which it is difficult to find our way. Think of it, fair reader, not as if the decision of the question depended upon yourself, but upon that hot-blooded, semi-barbaric princess, her soul at a white heat beneath the combined fires of despair and jealousy. She had lost him, but who should have him?

6

How often, in her waking hours and in her dreams, had she started in wild horror, and covered her face with her hands as she thought of her lover opening the door on the other side of which waited the cruel fangs of the tiger!
But how much oftener had she seen him at the other door! How in her grievous reveries had she gnashed her teeth, and torn her hair, when she saw his start of rapturous delight as he opened the door of the lady! How her soul had burned in agony when she had seen him rush to meet that woman, with her flushing cheek and sparkling eye of triumph; when she had seen him lead her forth, his whole frame kindled with the joy of recovered life; when she had heard the glad shouts from the multitude, and the wild ringing of the happy bells; when she had seen the priest, with his joyous followers, advance to the couple, and make them man and wife before her very eyes; and when she had seen them walk away together upon their path of flowers, followed by the tremendous shouts of the hilarious multitude, in which her one despairing shriek was lost and drowned!
Would it not be better for him to die at once, and go to wait for her in the blessed regions of semi-barbaric futurity?
And yet, that awful tiger, those shrieks, that blood!
Her decision had been indicated in an instant, but it had been made after days and nights of anguished deliberation. She had known she would be asked, she had decided what she would answer, and, without the slightest hesitation, she had moved her hand to the right.
The question of her decision is one not to be lightly considered, and it is not for me to presume to set myself up as the one person able to answer it. And so I leave it with all of you: Which came out of the opened door - the lady, or the tiger?

密室逃脱doorsrooms3第二章第七关怎么进入

这一关属于秘密关卡，所以需要在之前获得秘密道具。在第五关获得秘密道具三环，然后到第三关的下水道把三环装上去，从门里进去就能解锁第七关。

打开桌子抽屉拿到里面的钥匙。

后面箱子里拿到磨刀石、

墙上的柜子里可以获得一瓶蓝色液体。

下楼后在桌上获得一把未开锋的小刀。

桌子上拿到奶酪。

左边桌上拿到开启器。

用楼上获得的钥匙打开这扇门后进入地下室。

用磨刀石将小刀磨锋利了。

用小刀隔断绳子。

打开箱子获得一把钥匙。

在角落获得面粉，后面的货架上可以得到一瓶红酒。

用开瓶器打开红酒。

然后再把红酒和奶酪组合到一起。

查看前面的老鼠洞。

用浸泡红酒的奶酪喂给老鼠，就可以拿走它旁边的铁柄，注意如果没有喂食直接拿，会扣血。

然后到阁楼上，将铁柄插入。

根据提示逆时针旋转直至绿灯亮起。

这时书架中间会突出一部分书籍，点进去。

现在进行一个小游戏，把所有的按钮都按下去，按钮被按下或者拉起时上下左右四个方向的按钮会进行相反动作，也就是说你按下去，周围四个会突出来，你拉起按钮，那么周围四个就会按下。我们必须要把所有按钮到按下去，比如图中所示，挤到角落就可以。

完成后楼下客厅的门会被打开，我们可以进入另一个房间了。

进入房间后家里箱子里有只小鸟拿走。

然后把面粉和水组合起来。

将湿润的面团塞入图中所示位置。为什么要这么做呢，因为这里会不断喷出毒气，每隔一段时间就会扣一滴血，而我们堵住后就可以安全的进行接下来的解谜工作。

墙上有个挂钟，把小鸟装上去，以从左到右的顺序按下四个按钮，分别记下红色指针所在的数字是7359。

然后来到房间内，点击桌上的盒子，调整密码左上7、右上3、左下5、右下9。

打开就可以获得一枚铜币。

把铜币放入门旁边的装置内，旋转后就可以开门第7关结束！